LINGON MEANING FULL

I became interested in cranberries when I discovered them growing above the tree line in the White Mountains years ago. According to passed down knowledge, the Algonquin used the leaves of cranberry to treat bladder infections, arthritis, and diabetes-related circulation problems. Mariners brought them on sea voyages to fend off scurvy.

LINGON MEANING FULL

They crushed them into animal fats and dried deer meat to make pemmican, a food full of energy and vitamin C for long winter trips. The Wampanoag called them ibimi, meaning sour or bitter berries. Yes, cranberries are tart, sour, and even bitter, but that makes them both good food and strong medicine. How times change! The humble American cranberry, Vaccinium macrocarpon, in my opinion, is worthy of a downright homage. If I ventured to eat a berry I experienced the power of my gag reflex. His other works at the Gallery include a suite of etchings, a print portfolio, a neon sculpture, and two paintings that were recently conveyed from the Corcoran Collection.As a kid fidgeting at my grandmother’s Thanksgiving table, I often wondered, what’s the point of cranberries? She had a live-in Irish cook who insisted on serving whole cranberries suspended in a kind of gelatinous inverted bog. Untitled (I Am a Man) was the first painting by Ligon to join the collection. It's about we.' The deliberately rough surface of the painting, which Ligon later documented by having a condition report made as an ancillary work of art, seems to index the scars and struggles of the work's great subject. As Ligon has said (paraphrasing Muhammed Ali), 'It's not about me. Throughout his career, Ligon has used 'blackness' as a trope for both personal and collective experience. And while he preserved the original black-on-white of the sign, his choice to paint the black letters in eye-catching enamel calls attention to a black figure ('Man') as a text that replaces the human form in figurative painting.

He took pains to differentiate the painting from the original signs, avoiding a one-to-one relationship by reorganizing the line breaks. As the first object in which he used a selected text, Untitled (I Am a Man) is his breakthrough. This painting is Ligon's most important and iconic work. traveled to Memphis to address the striking workers the next day, he was assassinated. They took up the slogan 'I Am a Man' as a variant on the first line of Ralph Ellison's prologue to Invisible Man, 'I am an invisible man.' By deleting the word 'invisible,' the Memphis strikers asserted their presence, making themselves visible in standing up for their rights. Prompted by the wrongful deaths of two coworkers from faulty equipment, the strikers marched to protest low wages and unsafe working conditions.

Untitled (I Am a Man) is just such a representation-a signifier-of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous in Ernest Withers' 1968 photographs. His work engages a powerful mix of racial and gender-oriented struggles for the self, leading viewers to reconsider problems inherent in representation. Ligon is best known for intertextual works that re-present American history and literature, in particular narratives of slavery and civil rights, for contemporary audiences. He participated in the Whitney Museum's Independent Study Program in 1985, known at that time for its language-based approach. Glenn Ligon was born in the Bronx in 1960, attended the Walden School in New York on a scholarship, and graduated from Wesleyan University in 1982.

Lingon meaning